Dr Amanda Rogers

Athro Cyswllt, Geography

+44 (0) 1792 602612

a.rogers@abertawe.ac.uk

Swyddfa Academaidd - 212
Ail lawr
Adeilad Wallace
Campws Singleton

Ar gael ar gyfer Goruchwyliaeth Ôl-raddedig

Dolenni Ymchwil

https://orcid.org/0000-0002-0454-8183

ResearchGate

Google Scholar

Trosolwg

Rwy'n ddaearyddwr diwylliannol sy'n adnabyddus am fy ymchwil ar Ddaearyddiaethau Perfformiad. O'r herwydd, rwy'n gweithio yn y rhyngadran ryngddisgyblaethol rhwng daearyddiaeth ac astudiaethau theatr/perfformiad ac mae gen i ddiddordeb mewn amrywiaeth o ddamcaniaethau ac arferion sy'n gysylltiedig â pherfformiad. Darllenwch fwy am fy ngwaith yn yr adran 'Ymchwil' isod.

Rwyf wedi goruchwylio amrywiaeth o fyfyrwyr doethuriaeth ar bynciau sy'n amrywio o hil ac amlddiwylliannaeth i adfywio trefol a'r celfyddydau. Rwyf bob amser yn hapus i dderbyn datganiadau o ddiddordeb ar bynciau PhD, yn enwedig y rhai sy'n ymwneud â daearyddiaethau creadigol sydd wedi'u diffinio'n fras, daearyddiaeth hunaniaeth (hil ac ôl-drefedigaethedd), a gwleidyddiaeth a chyfiawnder cymdeithasol.

Yn ehangach, rwy'n un o'r Golygyddion Adolygiadau ar gyfer y cyfnodolyn cultural geographies ac yn Ysgrifennydd Ymchwil yr Association of South East Asian Studies UK. Dyfarnwyd Medal Dillwyn i mi gan Gymdeithas Ddysgedig Cymru am Ymchwil Eithriadol yn y Celfyddydau Creadigol a'r Dyniaethau. Ariannwyd fy ymchwil gan amrywiaeth o sefydliadau, gan gynnwys yr Academi Brydeinig, Ymddiriedolaeth Leverhulme, yr ESRC a'r AHRC.

Roeddwn i'n arfer gweithio ym myd y theatr yn yr Unol Daleithiau (Los Angeles ac Efrog Newydd) fel rheolwr llwyfan, cyfarwyddwr a chynhyrchydd cynorthwyol, ac rwyf wedi helpu i raglennu gwyliau celfyddydol rhyngwladol. Mae gennyf brofiad arbennig o weithio gyda grwpiau ymylol megis ffoaduriaid. Rwyf hefyd yn eistedd ar fwrdd Cwmni Theatr Papertrail yng Nghaerdydd.

Meysydd Arbenigedd

Daearyddiaethau'r celfyddydau perfformio
Gofod, lle a pherfformiad
Y GeoDyniaethau
Geowleidyddiaeth greadigol
Diwylliannau trawswladol
Hunaniaeth, amlddiwylliannaeth, rhyngddiwylliannaeth
Gwleidyddiaeth a pherfformiad
Ôl-wrthdaro, rhyfel a chof

Uchafbwyntiau Gyrfa

Diddordebau Addysgu

Rwy'n addysgu amrywiaeth o bynciau daearyddiaeth ddiwylliannol yn ogystal â dulliau ymchwil ar lefelau israddedig ac ôl-raddedig.

Rwy'n addysgu modiwl dewisol ar Ddaearyddiaeth Greadigol sy'n archwilio gofodau ac arferion creadigrwydd – gan gynnwys yr economi, y ddinas, pethau bob dydd ac, wrth gwrs, y celfyddydau. Rwy'n defnyddio ystod o ddulliau a gweithgareddau yn fy addysgu, megis troeon celf, sesiynau crefft cymunedol, adeiladu gyda LEGO a dadansoddi polisi. Rwyf hefyd wedi dysgu hanes Daearyddiaeth fel disgyblaeth ac wedi addysgu cwrs ar ddaearyddiaethau hil, trefedigaethol ac ôl-drefedigaethol.

Ymchwil Prif Wobrau Cydweithrediadau

Cyhoeddiadau

Uchafbwyntiau Ymchwil

Rogers, A., Tola, S., Monthary, M., Seyhah, V., & Nicholas, L. (2023). Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
https://doi.org/10.23889/SUreport.65084, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa65084
https://doi.org/10.23889/SUreport.65084
Rogers, A. (2022). Dancers as Diplomats? Quiet diplomacy and post‐conflict geopolitics in the 1990 Cambodian National Dance Company Tour to the U.K.. Transactions of the Institute of British Geographers, 48(2)
https://doi.org/10.1111/tran.12591, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa61870
Rogers, A. (2023). Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK. GeoHumanities, 1-17.
https://doi.org/10.1080/2373566x.2022.2150259, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa61600
http://dx.doi.org/10.1080/2373566x.2022.2150259
Rogers, A. & Moore, S. (2022). The next chapter. cultural geographies, 29(1), 157-158.
https://doi.org/10.1177/14744740211058927, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa59078
Rogers, A. (2022). Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era. GeoHumanities, 8(1), 157-176.
https://doi.org/10.1080/2373566x.2021.1977162, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa57601
Robson, C., Rogers, A., & Thorpe, A. (Eds.). (2018). British East Asian Plays. Aurora Metro.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56852
https://www.aurorametro.com/product/british-east-asian-plays/
Rogers, A. (2021). Minor Translocalism: Messy and marginal networks in and beyond Singapore. An interview with Tan Suet Lee. Asian City Crossings: Pathways of performance through Hong Kong and Singapore. Edited by Rossella Ferrari and Ashley Thorpe Routledge: Taylor & Francis Group
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56847
https://www.taylorfrancis.com/chapters/edit/10.4324/9781003043157-11/minor-translocalism-amanda-rogers
Keehan, B. & Rogers, A. (2021). Reflecting on “Our Place”. cultural geographies, 29(1), 147447402110205-9.
https://doi.org/10.1177/14744740211020508, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56846
Rogers, A. (2020). Transforming the national body: choreopolitics and disability in contemporary Cambodian dance. cultural geographies, 27(4), 527-543.
https://doi.org/10.1177/1474474019892000, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa52762
Rogers, A. (2021). Creative Expression and Contemporary Arts Making Among Young Cambodians
https://doi.org/10.23889/sureport.56822, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56822
http://dx.doi.org/10.23889/sureport.56822

Holl Ymchwil

Erthyglau Cylchgronau

Rogers, A. (2023). Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK. GeoHumanities, 1-17.
https://doi.org/10.1080/2373566x.2022.2150259, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa61600
http://dx.doi.org/10.1080/2373566x.2022.2150259
Rogers, A. (2022). Dancers as Diplomats? Quiet diplomacy and post‐conflict geopolitics in the 1990 Cambodian National Dance Company Tour to the U.K.. Transactions of the Institute of British Geographers, 48(2)
https://doi.org/10.1111/tran.12591, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa61870
Rogers, A. (2022). Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era. GeoHumanities, 8(1), 157-176.
https://doi.org/10.1080/2373566x.2021.1977162, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa57601
Rogers, A. & Moore, S. (2022). The next chapter. cultural geographies, 29(1), 157-158.
https://doi.org/10.1177/14744740211058927, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa59078
Keehan, B. & Rogers, A. (2021). Reflecting on “Our Place”. cultural geographies, 29(1), 147447402110205-9.
https://doi.org/10.1177/14744740211020508, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56846
Rogers, A. (2020). Transforming the national body: choreopolitics and disability in contemporary Cambodian dance. cultural geographies, 27(4), 527-543.
https://doi.org/10.1177/1474474019892000, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa52762
Rogers, A. (2018). Advancing the geographies of the performing arts. Progress in Human Geography, 42(4), 549-568.
https://doi.org/10.1177/0309132517692056, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa31110
Rogers, A. (2017). Material migrations of performance. Area, 49(4), 495-502.
https://doi.org/10.1111/area.12338, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa32048
Rogers, A. (2014). Asian Mutations: Yellowface from More Light to the Royal Shakespeare Company’s The Orphan of Zhao. Contemporary Theatre Review, 24(4), 452-466.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa18712
Rogers, A. & Thorpe, A. (2014). A Controversial Company: Debating the Casting of the Royal Shakespeare Company’s The Orphan of Zhao. Contemporary Theatre Review, 24(4), 428-435.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa18713
Rogers, A. & Thorpe, A. (2014). Interview with Hannah Miller (Casting Director) and Kevin Fitzmaurice (Producer) of the RSC. Contemporary Theatre Review, 24(4), 486-493.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa18714
Rogers, A. & Thorpe, A. (2014). Interview with Daniel York (actor, writer and director) and Anna Chen (broadcaster, journalist, poet and performer).. Contemporary Theatre Review, 24(4), 496-503.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa18715
Rogers, A. & Rogers, A. (2014). Thinking through Intercultural Spatialities onImelda: A New Musical. Journal of Intercultural Studies, 35(1), 53-73.
https://doi.org/10.1080/07256868.2014.864623, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17586
Rogers, A., Bear, C., Hunt, M., Mills, S., & Sandovers, R. (2014). Intervention: The Impact Agenda and Human Geography in UK Higher Education. ACME: An international e-journal for critical geographies, 13(1), 1-9.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17587
http://www.acme-journal.org/vol13/Rogersetal2014.pdf
Rogers, A. (2012). Emotional Geographies of Method Acting in Asian American Theater. Annals of the Association of American Geographers, 102(2), 423-442.
https://doi.org/10.1080/00045608.2011.596390, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa13831
http://www.tandfonline.com/doi/abs/10.1080/00045608.2011.596390#.UjWC_zkZeJU
Rogers, A. & Rogers, A. (2012). Geographies of the Performing Arts: Landscapes, Places and Cities. Geography Compass, 6(2), 60-75.
https://doi.org/10.1111/j.1749-8198.2011.00471.x, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17588
Rogers, A. (2011). Butterfly takes flight: the translocal circulation of creative practice. Social & Cultural Geography, 12(7), 663-683.
https://doi.org/10.1080/14649365.2011.610235, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa16326
Rogers, A. & Rogers, A. (2010). Geographies of performing scripted language. Cultural Geographies, 17(1), 53-75.
https://doi.org/10.1177/1474474009349999, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa16325
Rogers, A. & Rogers, A. (2010). The need for practical workshops. Area, 42(1), 127-131.
https://doi.org/10.1111/j.1475-4762.2009.00897.x, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17589

Llyfrau Awdurol

Rogers, A. (2015). Performing Asian Transnationalisms: Theatre, identity and the geographies of performance (1st ed.). Routledge.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17591
http://www.routledge.com/books/details/9780415854382/

Penodau Llyfrau

Rogers, A. (2021). Minor Translocalism: Messy and marginal networks in and beyond Singapore. An interview with Tan Suet Lee. Asian City Crossings: Pathways of performance through Hong Kong and Singapore. Edited by Rossella Ferrari and Ashley Thorpe Routledge: Taylor & Francis Group
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56847
https://www.taylorfrancis.com/chapters/edit/10.4324/9781003043157-11/minor-translocalism-amanda-rogers
Rogers, A. (2020). Contemporary Cambodian Dance and Sites of National Culture: Chumvan Sodhachivy’s YouTube Page. In Edited by Anjeline de Dios, Department of Cultural Studies, Lingnan University, Hong Kong and Lily Kong, Lee Kong Chian Chair Professor of Social Sciences, Singapore Management University (Ed.), Handbook on the Geographies of Creativity (pp. 217-233). Edward Elgar
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa48823
Rogers, A. (2018). British Chinese Performance in Minor Transnational Perspective. Contesting British Chinese Cultures (pp. 241-260). Palgrave Macmillan
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa30143
Rogers, A. (2017). Box on ‘Post-conflict tensions in contemporary Cambodian dance.’. Creativity (Key Ideas in Geography) (pp. 290-293). Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa31858
Rogers, A. (2013). Performances. Introducing Human Geographies. (pp. 773-785). Routledge
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa17590

Llyfrau wedi'u Golygu

Robson, C., Rogers, A., & Thorpe, A. (Eds.). (2018). British East Asian Plays. Aurora Metro.
SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56852
https://www.aurorametro.com/product/british-east-asian-plays/

Cynnyrch Ymchwil Arall

Rogers, A., Tola, S., Monthary, M., Seyhah, V., & Nicholas, L. (2023). Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
https://doi.org/10.23889/SUreport.65084, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa65084
https://doi.org/10.23889/SUreport.65084
Rogers, A. (2021). Creative Expression and Contemporary Arts Making Among Young Cambodians
https://doi.org/10.23889/sureport.56822, SU Repository: https://cronfa.swan.ac.uk/Record/cronfa56822
http://dx.doi.org/10.23889/sureport.56822

Goruchwyliaeth

The Everyday Affects of Protest: Engaging the Politics of Citizenship at the Museum (cyfredol)

PhD

Goruchwyliwr arall: Dr Angharad Closs Stephens
Using Small Data to Improve Co-Creative Writing Tools (cyfredol)

PhD

Goruchwyliwr arall: Dr Alma Rahat

Goruchwyliwr arall: Prof Matt Jones
Buildings Castles in the air«br /»«br /»«br /»«br /» «br /»«br /»«br /»«br /» To what extent has Purpose-Built Student Accommodation provided a 'fix' in Swansea? (cyfredol)

PhD

Goruchwyliwr arall: Dr Christopher Muellerleile
Art and Austerity: Geographies of Urban Change. (cyfredol)

PhD

Goruchwyliwr arall: Dr Keith Halfacree

Modiwlau a Addysgir

GEG131 Cities

There has never been a more exciting time to study cities. Since antiquity cities have been the site of disproportionate amounts of human production and consumption of all kinds, and within the last generation, they have become the places where most people on Earth live. They are also the places of the most pressing social struggles of our time. Cities afford boundless opportunities, but are also the sites of the most stark inequality on the planet. Partly as a result, cities are sites of social, political, and economic struggle, innovation, creativity and deprivation. For at least the last two hundred years, cities, modernity, globalisation, colonisation, and capitalism have been highly dependent upon each other, and as a result, making sense of cities cannot be separated from questions of cultural transformation, global capital, political upheaval, and technological change. This module will introduce you to these and related issues.
GEG362 Creative Geographies

Exact content may change depending on the state of the field and lecturer's core research interests: 1. The Geographies of Creativity: Approaches 2. Creative Bodies 3. Everyday Creativity 4. Landscape and Imagination 5. Art and Environment (plus site visit) 6. Geopoetics 7. Crafting Community (plus practical) 8. Creative Subversion 9. Geopolitics and Creativity (plus practical) 10. Creative Economy 11. Creative City and Placemaking 12. Creativity, Diversity, Inequality 13. Creative Mobility 14. Creativity and Development 15. Conclusion
GEGM15 Qualitative Research Methods

This module provides an introduction to the main data-sources and analysis methods used in qualitative research. In addition to covering the key conceptual and epistemological issues associated with qualitative research design, the module provides an introduction to a range of qualitative techniques used in social science research including questionnaire design, interviewing, observational methods, visual methodologies and textual analysis. Issues associated with combining a mixture of qualitative methods are also considered. The strengths and limitations of various techniques are explored with particular emphasis on issues of reliability, validity and representativeness.
GEGM20 Dissertation

The dissertation is an original, substantive and independent research project in any aspect of Human Geography, and engaging topics of society, environment and global change. It is typically based on approximately four months work, comprising primary research, analysis and write-up. The end result should be a 10,000 word dissertation. Support is provided by a staff supervisor and through student-led discussions. There will also be an opportunity to give constructive feedback to other students undertaking related research projects, learning from their research problems and their subsequent solutions. A presentation session (July) will be used to communicate provisional findings and gather feedback from staff and peers.
GEGM28 Society-Environment Relations

This module will ensure that students have the critical foundations for a sophisticated consideration of the entanglements between social and environmental worlds, and of the role that Human Geography has played in developing these understandings. The module opens with a conceptual consideration of society-environment relations, and how this is embedded within both historical and contemporary trajectories of geographic thought. The module then considers ten concepts through which we might think ¿ and rethink ¿ these entanglements between humans, non-humans and the environment. In so doing it highlights how geographers can contribute to thinking afresh about global change. The module is taught through seminars, but also encourages students to reflect critically on the ideas presented via 2 creative encounters (e.g. a film, an artwork) and through a reflective reading journal.

Hanes Gyrfa

Athro Cyswllt mewn Daearyddiaeth Ddynol a'r GeoDyniaethau, Prifysgol Abertawe

2018 - Presennol
Uwch Ddarlithydd mewn Daearyddiaeth Ddynol, Prifysgol Abertawe

2015 - 2018
Darlithydd mewn Daearyddiaeth Ddynol, Prifysgol Abertawe

2012 - 2015
Cymrawd Ôl-ddoethurol yr Academi Brydeinig, Royal Holloway, Prifysgol Llundain

2009 - 2201
Cymrawd Ôl-ddoethurol ESRC, Royal Holloway, Prifysgol Llundain

2008 - 2009

Grantiau a Phrosiectau Allweddol

Contemporary Arts Making and Creative Expression Among Young Cambodians. 2020 - 2021

Prif grant AHRC-GCRF wedi'i ariannu drwy'r Rhaglen 'Changing the Story', £65,000
Dance in Contemporary Cambodia: Nation, geopolitics, identity. 2020 - 2021

Cymrodoriaeth Ymchwil Ymddiriedolaeth Leverhulme, £54,998
Geopolitics, Performance and the 1990 Cambodian National Dance Company Tour. 2017 - 2020

Grant Bach Ymddiriedolaeth yr Academi Brydeinig-Leverhulme, £8,729
Year of the Sea: assessing changes in marine ecosystems through literature, arts and law. 2017 - 2018

Grant Crucible Cymru, with Dr Ruth Callaway, Dr Dimitri Fimi, Dr Kerry Lewis, Dr Sarah Pagoda, £9,862
‘Our Place…..’ 2017 - 2018

Gwobr Artist Preswyl Ymddiriedolaeth Leverhulme gyda Bridget Keehan (Cwmni Theatr Papertrail), £13,776
Geopolitics and Performance: The role of NGOs in contemporary Cambodian dance. 2014 - 2015

Yr Academi Brydeinig-Association of South East Asian Studies UK – European Consortium for Asian Fieldstudy Fellowship, £3,500
Geographies of Transnational Theatrical Creativity 2009 - 2012

Cymrodoriaeth Ôl-ddoethurol yr Academi Brydeinig, £259,953
Diasporic Filipino Performances 2009 - 2009

Office for World Austronesian Studies, Taiwan, £1,000
Cymrodoriaeth Ôl-ddoethurol ESRC 2008 - 2009

, £90,887.45
Geographies of Identity and Performance in Asian American Theatre 2003 - 2006

, +3 Ysgoloriaeth ymchwil Doethurol ESRC.

Dr Amanda Rogers

Rhif ffôn

Cyfeiriad ebost

Twitter Account

LinkedIn Account

Dolenni Ymchwil

Trosolwg

Meysydd Arbenigedd

Uchafbwyntiau Gyrfa

Uchafbwyntiau Ymchwil

Holl Ymchwil

The Everyday Affects of Protest: Engaging the Politics of Citizenship at the Museum (cyfredol)

Using Small Data to Improve Co-Creative Writing Tools (cyfredol)

Buildings Castles in the air«br /»«br /»«br /»«br /» «br /»«br /»«br /»«br /» To what extent has Purpose-Built Student Accommodation provided a 'fix' in Swansea? (cyfredol)

Art and Austerity: Geographies of Urban Change. (cyfredol)

GEG131 Cities

GEG362 Creative Geographies

GEGM15 Qualitative Research Methods

GEGM20 Dissertation

GEGM28 Society-Environment Relations

Athro Cyswllt mewn Daearyddiaeth Ddynol a'r GeoDyniaethau, Prifysgol Abertawe

Uwch Ddarlithydd mewn Daearyddiaeth Ddynol, Prifysgol Abertawe

Darlithydd mewn Daearyddiaeth Ddynol, Prifysgol Abertawe

Cymrawd Ôl-ddoethurol yr Academi Brydeinig, Royal Holloway, Prifysgol Llundain

Cymrawd Ôl-ddoethurol ESRC, Royal Holloway, Prifysgol Llundain

Contemporary Arts Making and Creative Expression Among Young Cambodians. 2020 - 2021

Dance in Contemporary Cambodia: Nation, geopolitics, identity. 2020 - 2021

Geopolitics, Performance and the 1990 Cambodian National Dance Company Tour. 2017 - 2020

Year of the Sea: assessing changes in marine ecosystems through literature, arts and law. 2017 - 2018

‘Our Place…..’ 2017 - 2018

Geopolitics and Performance: The role of NGOs in contemporary Cambodian dance. 2014 - 2015

Geographies of Transnational Theatrical Creativity 2009 - 2012

Diasporic Filipino Performances 2009 - 2009

Cymrodoriaeth Ôl-ddoethurol ESRC 2008 - 2009

Geographies of Identity and Performance in Asian American Theatre 2003 - 2006