Previous Events in the Series
'Max Porter on Myth, Hybridity and Voice'
Thursday 14th January
In this special online event, Max Porter talks about his career as an editor, bookseller and critically-acclaimed British writer, before discussing the changing shape of the English novel, myth and modern forms, his bestselling works and approach to writing and the relationship between literature and literacy.
The event will include special readings by Max from his award-winning works Grief is the Thing with Feathers and Lanny, as well as his new book The Death of Francis Bacon, 'an attempt to write as painting, not about it'.
In conversation with Dr Elaine Canning, Head of Cultural Engagement and Development at Swansea University.
Award-winning Max Porter is one of Britain’s most original and innovative writers. Max's first novel, Grief Is the Thing with Feathers, won the International Dylan Thomas Prize, the Sunday Times/Peters, Fraser + Dunlop Young Writer of the Year, the Europese Literatuurprijs and the BAMB Readers' Award, and was shortlisted for the Guardian First Book Award and the Goldsmiths Prize. It has been translated into twenty-nine languages. Enda Walsh’s stage adaptation starting Cillian Murphy toured in 2019. Max's second novel Lanny (Faber, 2019) was a Sunday Times Top 10 bestseller and longlisted for the 2019 Booker Prize. His highly anticipated third book, The Death of Francis Bacon, will be published by Faber in January 2021. Max lives in Bath with his family.
‘It’s hard to express how much I loved Lanny. Books this good don’t come along very often. It’s a novel like no other, an exhilarating, disquieting, joyous read. It will reach into your chest and take hold of your heart. It’s a novel to press into the hands of everyone you know and say, read this.’ - MAGGIE O’FARRELL
A luminous reading experience - (Grief is the Thing with Feathers) (TLS)
An agile, life-affirming account of mourning. (Grief is the Thing with Feathers) (Sunday Times)
The event is part of the UK-Russia Creative Bridge Programme 2020-21 organised by the Cultural and Education Section of the British Embassy in Moscow with the support of the Foreign, Commonwealth and Development Office.
Ministry of Culture of the Russian Federation
The Maxim Gorky Institute of Literature and Creative Writing Moscow
'Anna Karenina: Screen Adaptations of the Novel' - Andrey Gelasimov
‘Anna Karenina: Screen Adaptations of the Novel’ - Andrey Gelasimov
Wednesday 20th January | 2pm-4pm
The first screen adaptation of “Anna Karenina” was produced in the very beginning of the 20th century. Since then this Russian novel became one of the most popular sources for inspiration of cinematographers all over the world. The most beautiful and absolutely legendary actresses were involved in visualisation of that stunning and suffering character created by Leo Tolstoy almost a century and a half ago. During our conversation we’ll try to understand reasons of such durable attraction comparing different film versions between each other and the novel itself.
The event is part of the UK-Russia Creative Bridge Programme 2020-21 organised by the Cultural and Education Section of the British Embassy in Moscow with the support of the Foreign, Commonwealth and Development Office.
Ministry of Culture of the Russian Federation
The Maxim Gorky Institute of Literature and Creative Writing Moscow
REGISTER HERE
'Crime Fiction and Legal Truth'
Tuesday 26th January
In this special online event, a panel of experts in crime fiction, thriller writing and Law discuss the intersection between crime fiction and legal truth. What is the relationship between crime fiction and true crime? And to what extent must the crime writer become a legal expert? A session full of suspense focusing on European crime fiction featuring eminent barrister and Head of Swansea University's Hillary Rodham Clinton School of Law, Professor Elwen Evans QC, along with Swansea-born Philip Gwynne Jones, author of the hugely successful "Nathan Sutherland" crime novels (set in Venice), and translator and editor Dr Kat Hall, a specialist in German thriller writing and creator of 'Mrs Peabody Investigates.' In conversation with Professor D.J. Britton, Playwright and Head of English Literature and Creative Writing at Swansea University.
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Professor Elwen Evans QC is Pro Vice Chancellor and Executive Dean for the faculty of Humanities and Social Sciences. She also holds the University portfolio for Welsh Language and Culture.
Elwen read Law at Girton College, Cambridge graduating with a double first: M.A. (Cantab). She was fortunate to receive a range of Scholarships from her College, University and professional body. On graduating she attended the Inns of Court School of Law and was called to the Bar by Gray’s Inn in 1980. She was appointed Queen’s Counsel in 2002. Elwen has enjoyed a very successful career as a barrister choosing to practice mainly in Wales. She has undertaken a wide range of legal work, specialising in criminal law at trial and appellate levels. Her work has included many serious, complex, sensitive and high profile cases such as leading the prosecution team in the April Jones case and the defence team in the Gleision mine disaster case. She sits as a Crown Court Recorder having been appointed in 2001. She was Head of Iscoed Chambers for over 15 years, stepping down on her appointment to Swansea University. She is a Bencher of her Inn, has been honoured by Gorsedd y Beirdd for her services to Law in Wales and was a Commissioner on the Commission on Justice in Wales. She has served on a wide range of external bodies and committees reflecting her areas of professional experience and interest. In 2018 she was in the top 10 of a list celebrating 100 of Wales’ most inspirational women.
Elwen joined Swansea University in 2015 when she was appointed as Head of the College of Law & Criminology where she supported its growth and transformation into an exciting and dynamic centre for learning, teaching, research, impact and engagement. Today, the University’s Hillary Rodham Clinton School of Law is recognised as being at the forefront of innovation in legal education and practice.
Philip Gwynne Jones was born in Swansea in 1966, and now works as a writer, teacher and translator in Venice. His first novel, “The Venetian Game”, was Waterstones Thriller of the Month for March 2018, and a Times Top 5 bestseller. His most recent novel, “Venetian Gothic”, is now available, with a further four titles scheduled. He has written for the Sunday Times and the Big Issue, and is a frequent guest on BBC Radio Wales.In his spare time he enjoys cooking, art, classical music and opera; and can occasionally be seen and heard singing bass with the Cantori Veneziani.
Philip is published by Little, Brown under the Constable imprint
Dr Kat Hall is a translator and editor. She is an Honorary Research Associate in Modern Languages at Swansea University, where she worked as a lecturer for many years. She is the editor of Crime Fiction in German: Der Krimi (UWP 2016) and runs the ‘Mrs Peabody Investigates’ crime blog. She is currently translating Punishment, by German barrister turned crime writer Ferdinand von Schirach.
The event is part of the UK-Russia Creative Bridge Programme 2020-21 organised by the Cultural and Education Section of the British Embassy in Moscow with the support of the Foreign, Commonwealth and Development Office.
Ministry of Culture of the Russian Federation
The Maxim Gorky Institute of Literature and Creative Writing Moscow
REGISTER HERE
'Poetry of the 19th Century: Alexander S. Pushkin' - Professor Elena A. Keshokova
5th February 2021
Alexander S. Pushkin was called the “Sun of Russian Poetry” by his contemporaries. The poet had an extraordinary pedigree. His mother's great-grandfather, one of the most educated people of his time, descended from a noble princely Abyssinian family and served faithfully to the Russian tsar Peter the Great. The biographies of Pushkin’s ancestors are as interesting as the novels of the 18-19th centuries. Pushkin wrote:
My pride of blood I have subdued;
I'm but an unknown singer
Simply Pushkin, not Moussin,
My strength is mine, not from court:
I am a writer, a citizen.
The prominent Russian writer Ivan Turgenev maintained that one of the distinctive features of Pushkin's poetry was graceful and smart simplicity. In his writing he was engaged in a gratifying creative dialogue with Western poets - Shakespeare, Voltaire, Byron, and Walter Scott among them.
Pushkin’s polyphonic lyrics largely influenced a great number of Russian poets and created a new poetic language. The poet was also an efficient historian: his heroes of Russian antiquity laid the foundations of the Russian historical novel.
The poet’s dynamic descriptions of various characters of his life and times helped create a highly animated image of Russia which made it possible to name his main work Eugene Onegin “the encyclopedia of Russian life."
The lecture will also explain why Pushkin's poetry is so difficult to translate, and his writing has not become a revelation to Western readership.
The event is part of the UK-Russia Creative Bridge Programme 2020-21 organised by the Cultural and Education Section of the British Embassy in Moscow with the support of the Foreign, Commonwealth and Development Office.
Ministry of Culture of the Russian Federation
The Maxim Gorky Institute of Literature and Creative Writing Moscow
'The New Face of Russian Literature' - Professor Aleksey Varlamov
Wednesday 17th February
THIS EVENT WILL BE CARRIED OUT IN THE MEDIUM OF RUSSIAN, WITH SIMULTANEOUS ENGLISH TRANSLATION
Russian literature is going through a unique period of complete freedom and independence from authorities in history. In this lecture, Professor Aleksey Varlamov will focus on new trends in Russian literature, including the role of the writer as storyteller rather than as prophet or ideologist, as well as the current literary landscape in Russia, with a focus on non-fiction, biography and the status of movements such as Realism, Post-Realism and Postmodernism. The extent to which we can comprehend the present through the works of Zakhar Prilepin, R. Senchin, A. Salnikov and Grigorij Sluzhitel will also be discussed.
Professor Aleksey Varlamov is Rector of the Maxim Gorky Institute of Literature and Creative Writing, Moscow. He is also a prominent writer, publicist and researcher of the history of 20th Century Russian literature and his books have been translated into several languages.
The event is part of the UK-Russia Creative Bridge Programme 2020-21 organised by the Cultural and Education Section of the British Embassy in Moscow with the support of the Foreign, Commonwealth and Development Office.
Ministry of Culture of the Russian Federation
The Maxim Gorky Institute of Literature and Creative Writing Moscow
'International Women's Day Poetry Celebration' - Lizzie Fincham and Natalie Ann Holborow
Monday 8th March
Contained in Ice by Lizzie Fincham
Poignant, elegant and timely, Lizzie Fincham's acute senses and imagistic rhythms give us glimpses beneath the surface of life, to the deeper connections. And always, running through the beauty and the evocation of the natural world, are warnings: 'The woods are turning to smoke'; 'As it always has, the bell tolls'… The delicacy of the poetry belies the magnitude of the themes: the losses and the hope — Contained in Ice contains 'All the small stuff. All the big stuff.'
Small by Natalie Ann Holborow
We all have our favourite demons. Weaved throughout poems on mythology, literary figures and other shores, the narrator is haunted by her biggest demon of all: the gargantuan Small. Told with rawness and honesty, the secretive nature of living with an eating disorder is yanked out into the open and given physical form and voice. Through relationship breakdowns, bath-times, the cacophonous dazzle of Delhi and the fug of hospital waiting rooms, Small is there, slyly riding on the shoulders of a woman running for miles to get away ‒ yet forever haunted by a shadow far larger than her own.
Author Biographies
Gower born poet Lizzie Fincham is currently studying for a PhD in Creative Writing at Swansea University. She has had 80 poems published in various journals and collections including New Welsh Review, Poetry Wales, North, French Literary Review, New Zealand Review. Lizzie has been shortlisted for many prizes, including the prestigious Bridport Poetry Prize on three occasions. In 2017 she was awarded First prize for Brexit Blues in Brighton Poetry Competition. Her first collection Green Figs and Blue Jazz was published by Cinnamon Press in 2017. Her latest pamphlet, Contained in Ice, was published by Cinnamon Press in 2020.
Natalie Ann Holborow is an award-winning writer whose debut collection, And Suddenly You Find Yourself, was launched at the International Kolkata Literary Festival and listed as Wales Arts Review’s ‘Best of 2017’. She is co-editor of the Cheval anthology. Winner of the 2015 Terry Hetherington Award and a recent finalist in the Cursed Murphy Spoken Word competition, her second book Small (Parthian) and collaborative pamphlet with Mari Ellis Dunning The Wrong Side of the Looking Glass (Black Rabbit Press) were both published in 2020.
Cultural Institute 'Literary Salon Series'
'The Dirt': Marianne Tuckman in conversation with David Britton
'The Dirt': Marianne Tuckman in conversation with David Britton
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Wednesday 19th May | 7pm-8:30pm
Terrified, she calls her cleaner, a punk about to be evicted, to come round and help, but despite all their efforts, the house just gets dirtier and dirtier...
Tomorrow, she had planned to have children and play with them. She wonders if this will be possible.
BIO:
Marianne is a performer, deviser, dance artist and writer based between Berlin and the UK where she is studying a research lead Mphil in creative writing (Swansea University), focussing on the relationship between text and embodied live performance.
Her mission: to make words sweat.
Her method: to love through conversation.
The communication of stories is what motivates Marianne to make work that combines humour, poetic metaphors, guttural dancing and.... chat.
Marianne generally authors/ co-authors projects that she performs herself and has presented work at venues including the Megaron Athens Concert Hall, Vorspiel -CTM -Transmediale Festival (Berlin), Blue Elephant Theatre (London), Hasta Trilce (Buenos Aires) and Arts Printing House (Vilnius). She has worked as a performer in National Theater Reinickendorf (Vinge/ Muller, Berliner Festspieler), Manque La Banca (film), 12 Days (Film 4), Punderson Gardens (Arket Christmas campaign) and João Cidade (dance theatre) among others.Watch the Trailer: https://youtu.be/IdD_V40AkrM